Sin City: A Dame to Kill For
2014Why it's similar — Robert Rodriguez and Frank Miller's Sin City sequel pulls from the same noir-vengeance vocabulary Oldboy stripped Korean cinema down to in 2003: a single protagonist working a long grudge through a series of stylised set-piece confrontations, with the picture's visual language as committed to revenge as the narrative is. The corridor-hammer scene's compositional DNA runs through Rodriguez's interior fights.